Aaron Paul Lazar on Rejection

A writing friend, whose latest release, The Devil Can Wait had me staying up way past my bedtime, directed me to this guest article on rejection by Aaron Paul Lazar found at the Murderby4 Blog.

Rejection. Oh, how it stings. Most of us have been through it - plenty. Seeking jobs, seeking love, seeking publication for our books. It hurts. Destroys our self image. For a while, anyway. And it tears at the thin fabric in which we cocoon with our fragile writer's ego, protecting the inner belief that our work is valid.

A new writer recently emailed me after receiving a flurry of rejections from big agents. With a crushed spirit, she wrote:

"It makes no sense to me. If someone has written a book that is a good read, then why in the world would it not be recognized, published and read? The only answer that makes any sense is that it's not a particularly good read after all."

Alas, if it were only that simple. Let's step back and take a look at the situation.

You can read more here.

Marta Stephens Gives Tips to Writers

The following is an excerpt from another of Pump Up Your Book Promotion's December clients. Marta Stephens if the author of Silenced Cry and The Devil Can Wait--the latter of which I will review at The Book Connection on December 10th.

You can find Marta on the web at www.martastephens-author.com.

"You’ve written an amazingly brilliant novel. Your tension is excellent, the suspense is fantastic, your subplots are beautifully woven together--every word, every phrase is sheer perfection.

In the begin, the reaction from your friends and family to your writing may range from curious amusement to mild enthusiasm. Months pass, your family begins referring to you in past tense. You friends call less frequently -- eventually they quit, your kids stop setting your place at the table, and dog you’ve raised as a pup begins to bark and growl every time you shuffle your feet from your desk into the kitchen for another cup of coffee. The only television you “watch” are the infomercials at two in the morning only because you’re so wound up from working out complex plots that you can’t go to sleep. But that’s okay, because this is your goal, right? You’ve raised the bar a notch higher and now you have to roll with the punches. You have no choice but to push yourself to the brink of exhaustion and push you will!"

To read the rest of this article, please visit The Writer's Life.